Photographers spend years mastering light and almost no time being taught to run a company — yet the company decides whether the work survives. Five tools, none of them talking. Invoices chased at midnight. Clients who would have booked again if anyone had asked.
We're building the back office photographers were never given — one system that carries the business while you carry the camera.
Kepler was first to describe how a lens bends light into a picture — and named the device: camera obscura.
Three laws of planetary motion turned the sky from something you hoped about into something you could predict.
A platform built on light — and a business where nothing drifts: bookings, contracts, payments and deliveries in one predictable orbit around the work.
A stronghold. Your galleries, contracts and archives stay safe for as long as you want them — not until a plan lapses.
The particle of light Kepler chased — the moment itself, held in orbit just off the letter.
0% commission on everything you sell, forever. We charge for software, not for standing between you and your client's money.
Kepla drafts in your voice and shows you the receipt. Nothing reaches a client outside your rules.
Import on your timeline, export everything whenever. Lock-in is a business model, not a feature.
Founding members vote on the roadmap. Vault search and payment splits shipped because they asked.
Vivian Maier worked as a nanny and shot more than 150,000 street photographs. Almost none were seen in her lifetime — not for want of talent, but because the work around the work never got done. Her negatives sat in a storage locker until a stranger bought them at auction.
Every working photographer is one bad season of admin away from that locker. Kepla exists so the business side never buries the pictures.